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Ethan Boxley

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Crisis in the Hallway

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Music Theory Corner

The three intermezzi of Brahm's op 117 should be played as a set because when one listens to all three of them consecutively, one becomes aware of contrasts in form, motivic treatment, harmonic language and rhythm between the first and third movements which are mediated (as should happen in a good work of the Brahmsian era) by the third movement. One must take note of the fact that all three of the intermezzi make use of the same basic melodic interval—the step of a second, treated differently in the themes of each of the movements.

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Recent News

Fort Collins Symphony Opens 2018/2019 Masterworks Series with Ethan Boxley’s Fanfare for the National Anthem
2018-10-07
Having premiered composer Ethan Boxley’s Fanfare for the National Anthem and arrangement for t…
Ethan Boxley interviewed by KUNC about “Fanfare for National Anthem”
2018-07-04
KUNC editor Stacy Nick interviews Ethan Boxley, Northwestern University music composition student, a…
Fort Collins Symphony Premieres Work by Ethan Boxley: Fanfare for the National Anthem
2018-07-03
Composer Ethan Boxley’s Fanfare for the National Anthem and his arrangement of National Anthem in G…

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